Love in Much Ado About Nothing Essay Sample

Love is a feeling that develops when a person feels some connection to another person. When someone is forced to be with someone, the feeling that arises would not fall in the same category as Love, it would be just a hoax. In the play Much Ado About Nothing, even though the characters' love lives were attempted to be influenced to end in particular outcomes, the characters still decided to choose their life spouses based on their own will and not the intention of their friends or enemies who were trying to influence them. This point is portrayed in the play by the Love that develops between Beatrice and Benedick. Even though their friends were plotting for them to fall in Love, they still chose each other in the end. Claudio and Hero, on the other hand, were romantically involved as a result of Don Pedro's wooing. These characters' love lives were all disrupted, yet they all decided to choose their life spouse. Society had a role in all of these relationships since it appeared that both of the males in the relationship were attempting to safeguard their identities in their community. For Benedick, he was viewed as a character who despised the concept of Love but ended up falling in Love after being messed with by their friends. At first sight, Claudio's relationship appeared to be Love, but these characters came to know one other through time. As brutal as his acts may seem, he had to humiliate his loving lady publicly to preserve his social standing as a proud Warrior.

Love is only successful when people play their part; the input from both parties has to be the same to keep the relationship going. It was evident from Benedick and Beatrice's love tale that the two enjoyed interacting with one other, even if it was to make fun of each other. According to the story Much Ado About Nothing by William Shakespeare, Benedick states that "I did not think I should live till I was married. Here comes Beatrice. By this day, she is a fair lady. I do spy some marks of love in her" (Much Ado About Nothing 2.3.245-248). Benedick despised the concept of Love, but after being tampered with, he began to detect some new things inside his lover. Because of the compassion of Don Pedro, Leonato, Claudio, Hero, Ursula, and others, the love birds were able to forget the teasing that had occurred between them and began to display signals of affection for each other. Two parties worked together to manipulate Beatrice and Benedick into thinking about each other and setting them up together. Initially, the connection was based on a false story in which Benedick claimed to love Beatrice and vice versa. The report shows that when the lovers discover that their friends had lied to them to get them together, they are confused about what they should do. This discovery put Beatrice and Benedick's relationship to the test. Even after discovering that others fabricated their Love, they choose to overlook the events that occurred due to their friends and continue to be together. According to Susan and Diane's writing on the influence of parents in romantic relationships, it states that "Our findings provide strong support for the argument that parents still have a role in influencing romantic relationships…peers have an as great (or even greater) effect on the couple." (Sprecher 899). Benedick is a fool who allows Love to rule his intellect, and the influence of others will enable Benedick to find the true romance that Shakespeare was attempting to replicate. Even though others' influence may have led Benedick astray from his true self, he was able to reclaim his moral nature after being directed in the right direction. Finally, Benedick chose whether or not he wanted to stay with Beatrice without the assistance of their friends. Even if the role of friends looked vital in bringing the characters together, they could not influence the final decision of Love or even marriage.

Not all stories of Love have a strong foundation as people have their suspicions. It is demonstrated in the instance of Claudio and Hero how readily people may influence judgments. Claudio is easily manipulated throughout the tale because he lacks a firm perspective. According to the story Much Ado About Nothing by William Shakespeare, Don Pedro says that "Claudio, I have wooed in thy name, and fair Hero is won. I have broke with her father and his goodwill obtained. Name the day of marriage, and God give thee joy" (Much Ado About Nothing 2.1.292-295). The Prince's wooing was the catalyst that allowed Claudio and Hero's love tale to begin. Before this talk with Don Pedro, Claudio convinced himself that he would lose his Love due to the trap put up by Prince's brother Don John. This part foreshadows how any outside influence in this relationship will deal damage on a scale. Hero's death was staged in the story at one point to protect her dignity because her admirer did not appear to believe in her. Don John's scheme was able to momentarily hurt these lovers and even generate hatred between them since it seemed that Claudio was never a real lover of Hero. When Hero unmasks and reveals that she is alive at the conclusion, the two characters decide to marry one another because of the Love they had developed over time and how faithful they were to each other despite their terrible separation. According to William Babula's "Much Ado About Nothing and the Spectator," it states that "its worst manifestation is Margaret's playing of Heroin "Hero's garments" to deceive Don Pedro…Claudio rejects Hero at the altar…Don Pedro playing the role of Claudio at the revels, that Claudio first wins Hero" (Babula 11). Claudio chose to disgrace Hero publicly and abandon her at the altar to save his social standing. Putting aside his Nobility, Claudio forgot about the time he had another man woo Hero so he could have her. The deception was vital in the evolution of Claudio and Hero's relationship since the phoney manifestation briefly divided the two lovers and caused them to reevaluate their Love. The relationship began with false wooing and "finished" with false witnessing, which led to painful realizations about each other. Given that Much Ado About Nothing is a comedy, it was only natural that the lovers reconciled after recognizing their sins and giving themselves another chance at Love.

Throughout the novel, several situations made it appear as if the relationships were only happening due to the people/events around them. However, the couples in the story had the full authority to leave each other at any point. However, they remained faithful to the end, realizing that they needed each other to be their genuine selves. Relationships are built on the concepts of forgiveness and learning to adapt to the passage of time. There are strong indicators of contrasts in Benedick and Beatrice's relationship initially, but those disparities indicate Love until other people become involved in their connection. Benedick pretended to be someone who did not need a woman in his life, but his personality had changed entirely by the end of the story. Claudio and Hero, on the other hand, mirrored Love in the Elizabethan age because of the manner Claudio fell in Love after discovering she was the daughter of the governor of Messina. After a few exchanges, this pair became acquainted and forgot about society and the people around them. They realized that they were right for each other, which led to Hero deciding to go back to Claudio even after making dehumanizing claims against her and her loyalty toward him. The events that occurred demonstrated that, regardless of what may interfere in a relationship, nothing can affect a genuine connection in which both people are faithful. People have their moments, but there is always a chance to set things right and claim to be wrong at times, as seen through both relationships in Much Ado About Nothing.